The EDGE ENSEMBLE challenges the boundaries between notated and improvised music. With a group of top performers from diverse musical worlds -- contemporary, classical, jazz, rock, early music -- they explore the new sonic territory where these traditions meet.

The group is based in The Hague, yet each of the five members come from a different country: USA, Germany, UK, Greece, and the Netherlands. The ensemble is directed by composer/drummer Brendan Faegre, whose music is praised by the New York Times as "especially empowering" and "darkly exhilarating".

Rehearsals frequently lead to arguments. A contemporary performer wants the composer to have the final say in interpretation; a jazz performer wants to have the final say himself. Whose voice does the ensemble's performance represent? Whose voice does an improvised solo represent? This ensemble says: All of them! Although the stylistic backgrounds of the performers may seem far apart, they are all rooted in Western performance traditions that have enough in common to allow for fascinating, unexpected points of confluence. The Edge Ensemble reflects and explores this situation with intensity, freedom, and precision.

The ensemble has been broadcast on Dutch Radio 4 and was the 2014-15 Ensemble-in-Residence with Gaudeamus.

Composer, drummer, and bandleader BRENDAN FAEGRE (US) crafts music that unites the traditions within which he was formed: jazz and rock drumming, Hindustani classical, and contemporary concert music. Praised by the New York Times as "especially empowering" and "darkly exhilarating", Faegre's music is performed at major festivals around the world such as Huddersfield, Gaudeamus, November Music, TRANSIT Leuven, Dark Music Days, Beijing Modern, Thailand International, Aspen, Cabrillo, and Bang on a Can. Recent commissions include Collective, for the New York Youth Symphony at Carnegie Hall; Transcendance, for the David Kweksilber Big Band at the Bimhuis; and Music for Bars for Slagwerk Den Haag and Club Guy & Roni at bars around the Netherlands.

Rembrandt Frerichs (NL) is a pianist with a broad perspective. He is fluent with the American jazz tradition, but also inspired by European and Arabic classical music. His project "The Contemporary Fortepiano" explores modern improvisation on historical instruments. With his jazz trio he has performed with Kamancheh player Kayhan Kalhor, violinist Liza Ferschtman, and bassist Dominic Seldis. His music has taken him to New York, Madrid, Copenhagen, Paris, Sao Paolo, Helsinki, Istanbul, Rome, Cairo, Beirut, New Delhi, Cologne, Zurich and many other festivals and clubs around the world. In 2007 his debut album was nominated for the Dutch Grammy (Edison Award). The Dutch government selected Frerichs as "Music Export Artist", a special program for presenting the top Dutch artists around the world.

Christof May (DE) is a jazz and classical musician who performs on the clarinet and saxophone. He has performed with Susanne Abbuehl, Michel Portal, David Liebman, Claudio Puntin, Samuel Rohrer, Florian Zenker, Amina Figarova, Erik Ineke and Trygve Seim. With Abbuehl, May can be heard on the ECM productions April and Compass. He toured through Europe, Africa and North America, playing concerts and festivals in Cape Town, Maputo, Montreal, Portland, Oslo, Paris, Rome, Moscow, Kiev and other European cities. In the classical field, he worked with the symphony orchestras of Krefeld-Mönchengladbach, Aachen and Duisburg in Germany. May composed several soundtracks for David Lynch's Interview Project Germany.

James Hewitt (UK) is active in both early and contemporary music, in ensembles such as the Yiddish Baroque ensemble Simkchat Hanefesh, the Baroque/Turkish group Pera Ensemble, and the Scroll Ensemble, which specializes in programs inspired by Baroque improvisatory practices. The Scroll Ensemble was featured in the Leipzig Improvisation Festival, and a finalist in the York International Early Music Festival Competition. Hewitt leads historical improvisation workshops in Den Haag, Weimar, and Poland. He also works with contemporary improvisation ensembles the Royal Improviser's Orchestra and DaMU (music/dance), and in theatre projects, such as the Klingon Opera U, in which he plays a newly made instrument, tin dach, on which he also performs modal improvisation and Gregorian chant.

Vasilis Stefanopoulos (GR) is a bassist equally fluent in a wide variety of idioms. He tours and records with contemporary ensemble Modelo62, jazz groups Andreas Polyzogopoulos Quartet & StarkLinnemann, folk/world ensemble Ti-an-guis, and voice-bass duo InDuologue. Stefanopoulos plays at renown festivals and venues throughout Europe, including the Concertgebouw, Internationale Ferienkurse für Neue Musik Darmstadt, North Sea Jazz Festival, Bimhuis, Lantaren Venster, Gaudeamus Muziekweek, Muziekgebouw aan 't IJ, De Doelen, Anton Philipszaal, Thessaloniki Concert Hall, and Athens Concert Hall. He has also toured in the USA, Mexico, Argentina, China, Sao Tome and Principe, England, and Norway.

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